I’m a London-based dramaturg and critic, writing for Exeunt Magazine and The Stage, and am the Unicorn Theatre’s Schools Officer. I’m currently Dramaturg Assistant on the Young Vic’s Neighbourhood Voices programme, have taken part in the Royal Court’s Script Panel, and love new writing. I am quite trans and angry. @absentobject.
Frey’s question: Thinking about the dominance of the “well-made play”, do we need shifts in the language we use and the shapes through which we view narratives to ensure we don’t bend or pass over unfamiliar and non-Western story structures?