Cameron Sharp is a queer theatre maker/producer based in Newcastle. He is an associate artist at Live Theatre and co-founder of theate company/drag trio, Bonnie and The Bonnettes, and queer collective, The House of Love. His work is largely influenced by storytelling, identities, gender, sexuality, and all things that sparkle.
Cameron’s question: Where can dramaturgy exist among theatre companies? The lines are so blurred in terms of who does what, how they work, is one person in charge. Is peer-dramaturgy a thing and if so what processes are there or can be put in place to develop this?