Four generations of Northern Irish women, reunited under one roof.
A 90th birthday party that no-one seems to want.
A house full of hungry ghosts, with more than one skeleton in the closet.
Turn off your phones at dinner.
Winner of the Women’s Prize for the Playwriting 2022, Karis Kelly’s play is a pitch-black and twisted comedy of dysfunctional family dynamics, generational trauma and national boundaries.
Meet recovering addict Frankie, played by renowned political comedian Mark Thomas.
Frankie’s just been sentenced to three and a half years in jail for dealing drugs.
When he gets there, none of his fellow convicts are what they seem. And with his typewriter, his activist soul, and his sore lack of a right hook, he somehow finds his way into their troubled hearts, and they into his.
In the most unexpected of places, he discovers that the revolution is not dead. It’s just sleeping.
A brand new play from the writer of the Fringe First winning England & Son and A Political History of Smack & Crack, Ed Edwards reunites with Mark Thomas to tell a tale of freedom, revolution and messy love.