Four generations of Northern Irish women, reunited under one roof.

A 90th birthday party that no-one seems to want.

A house full of hungry ghosts, with more than one skeleton in the closet.

Turn off your phones at dinner.

Winner of the Women’s Prize for the Playwriting 2022, Karis Kelly’s play is a pitch-black and twisted tale of dysfunctional family dynamics, generational trauma and national boundaries.

Set in the years following the Strangeways Prison Riot, meet recovering addict Frankie, played by renowned political comedian Mark Thomas as he enters the brave new world of a liberal prison experiment.

None of Frankie’s fellow convicts are what they seem. In the most unexpected of places, he discovers that the revolution is not dead. It’s just sleeping.

A brand new play from the writer of the Fringe First winning England & Son and A Political History of Smack & Crack, Ed Edwards reunites with Mark Thomas to tell a tale of freedom, revolution and messy love.

The true story of a cultural martyr and a cultural oppressor.

When two penniless actresses meet in Shanghai at auditions for Ibsen’s A Doll’s House, they quickly become inseparable. But as political upheaval rips through China, their tumultuous friendship will alter not only the course of their lives, but the course of history. One will become China’s first female director. The other, the architect of the Cultural Revolution.

Amy Ng’s newest play looks at the untold story of two of the most influential women in Chinese history – Madame Mao and Sun Weishi – and how the personal truly is political.