Reasons You Should(n’t) Love Me

Posted on: March 31st, 2021 by ppAdmin

For a long time I didn’t know how it’d work.
Or what I’d be able to feel.
People would ask me if I could have sex and I’d feign shock and act wildly offended whilst secretly wanting to grab them by the shoulders and be like “I don’t know, Janet!”

Juno was born with spina bifida and is now clumsily navigating her twenties amidst street healers, love, loneliness – and the feeling of being an unfinished project.

Winner of The Women’s Prize for Playwriting 2020, Amy Trigg’s remarkable debut play REASONS YOU SHOULD(N’T) LOVE ME is a hilarious, heart-warming tale about how shit our wonderful lives can be.

A Room of One’s Own

Posted on: March 10th, 2021 by ppEditor

“To think that a woman, who has at some point sprung from blood originated in my womb, may be able to politically manoeuvre without being a mistress of a royal or a politician – she herself could be positioned as a minister in parliament.”

Meet Elizabeth Villiers, Princess Augusta, Harriet, Duchess of Sutherland and Nancy Astor, the first female MP. Four inspirational women who found a room of one’s own at Cliveden, a National Trust property with a rich and fascinating history.

A ROOM OF ONE’S OWN is an audio experience in the historic grounds of Cliveden. The stories of these misrepresented women are brought to life in four audio plays written by four of the UK’s finest playwrights – April De Angelis, Sabrina Mahfouz, Zodwa Nyoni and Alexandra Wood.

Follow a trail through the enchanting gardens listening to Nancy Carroll as Elizabeth Villiers, Vivienne Gibbs as Princess Augusta, Victoria Hamilton as Harriet, Duchess of Sutherland and Linda Broughton as Nancy Astor. Walk in their footsteps as they reclaim their reputations.

The installation is part of the National Trust’s 2018 programme Women and Power series and can be enjoyed from 13 June onwards.

For full details check the National Trust website here.

322 Days

Posted on: March 10th, 2021 by ppEditor

Gemma and Weston are two young, beating hearts from different places and different worlds. Their relationship fragments over the internet as they try to stay connected in an over-connected world.

Navigating adolescence, they can neither embrace each other or the separate lives they lead and their virtual intimacy hinders them from fully connecting with the everyday world around them.

When a secret is uncovered and reveals a schism at the centre of their relationship, a deep emotional distance threatens to overwhelm their physical distance and put their future plans in jeopardy.

322 DAYS is a radio play about being together and being apart.

Click here to listen.

#322DAYS

Recorded at the Lyric Hammersmith on Friday 4 December 2015, 322 DAYS was made possible by the kind support of the Lyric Hammersmith.

Bilal’s Birthday

Posted on: March 10th, 2021 by ppEditor

In a cramped apartment in Harlem within the busy city of New York, Bilal is 24 hours away from turning 18 years-old. No one is more excited than him, but he has left everything to the last minute. As usual, Bilal has been spending most of his time in his daydreams with his best friend who is–rightly so–Beyoncé.

Bilal’s loving Aunty Theresa wants to make his birthday a super special occasion after the tough year he’s had, but his sassy cousin Sade is not sure he deserves all the attention!

Bilal’s Birthday is a comedy-drama written by Nathan Bryon about a newly formed family, helping their newest member settle in.

Click here to listen.

Ten Weeks

Posted on: March 10th, 2021 by ppEditor

“First things first, I just want to say to all of you –
Well done.
You’ve shown a lot of courage walking in here tonight.
You have.
Don’t forget that.”

Ten weeks, ten commandments, a ten million pound turnover.

It’s Week One of a dizzyingly popular crash course in Christianity. There’s pizza, live music, lively debate and – sometimes – there’s insurrection.

A new play about faith, community and capitalism.

Following the success of last year’s collaboration on GROWTH by Luke Norris, we’re once again joining forces with Royal Welsh College of Music and Drama to premiere a brand new play by Elinor Cook, directed by Kate Wasserberg, starring RWCMD graduating actors.

Photos by Mikesbutt and Kirsten McTernan.

Broken Biscuits

Posted on: March 10th, 2021 by ppEditor

“We’re losers. Nobodies. Carry on like this, we’re losers forever. And we don’t have to be. Fresh start, two months to completely one hundred per cent reinvent ourselves.”

Megan, Holly and Ben are definitely not the cool kids. But Megan has a plan. One long summer holiday to change their lives. One sure path to coolness. One amazing transformation, through the power of song.

Holed up in Megan’s garden shed, three old friends try to change their fortunes in a beautiful, heart-warming, laugh-out-loud coming-of-age story for our times. Rock on.

I Got Superpowers For My Birthday

Posted on: March 10th, 2021 by ppEditor

Ethan, William and Fiona are about as different as three almost-teens can be. The only thing they have in common is that tomorrow is their birthday. And they’ve just discovered they have superpowers.

Which is lucky because someone needs to protect the world from The Darkness. An evil overlord with plans to turn everything to ice.

Join our three heroes on an epic quest to save the planet in this brand new play for ages 7+ from award winning writer Katie Douglas.

Love, Lies and Taxidermy

Posted on: March 10th, 2021 by ppEditor

This is a boy meets girl story. Son of a Polish taxidermist meets daughter of a failing ice cream salesman at a medical research facility in Merthyr Tydfil. First date in Tesco and things are going well.

But it’s difficult to fall in love when your parents need saving from themselves, their weird hobbies and the threat of a prison sentence. An offbeat love story about Mr. Tutti Frutti, a stuffed owl and the struggle to fit in from writer Alan Harris (BBC Radio 4, National Theatre Wales, Sherman Theatre).

The Place I Call Home Festival

Posted on: March 8th, 2021 by ppEditor

Spanning across Instagram, Zoom, email, WhatsApp, phone and good old-fashioned post, THE PLACE I CALL HOME was a playful digital festival of new theatre that you could access and engage with from the comfort of your own home.

Two weeks of brand-new international plays co-written across borders during lockdown were delivered via WhatsApp, personalised email, and post.

The three plays shared were A BRIEF HISTORY OF STRUGGLE by Dipo Baruwa-Etti and Calle Fuhr, IN TANDEM by Travis Alabanza and Magdalena Zarębska-Wegrzyn and POSTA AEREA by Giuditta Mingucci and Rosie MacPherson

Alongside the three collaborations, there were free online workshops for new actors, writers, directors and producers, including Open Auditions for actors currently unrepresented by agents, and open access Q&A’s with nationally celebrated playwrights.

Every Brilliant Thing

Posted on: February 21st, 2021 by ppEditor

You’re seven years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy.

You make a list of everything that’s brilliant about the world.

Everything worth living for.

Ice cream
Water fights
Staying up past your bedtime and being allowed to watch TV
The colour yellow
Things with stripes
Rollercoasters
People falling over

A play about depression and the lengths we go to for those we love.

Based on true and untrue stories.